![]() ![]() It is JFK.” Newsweek called the film “a work of propaganda,” as did Jack Valenti, the head of the Motion Picture Association of America, who specifically likened Stone to the Nazi filmmaker Leni Riefenstahl. “Some insults to intelligence and decency rise (sink?) far enough to warrant objection,” the Chicago Tribune columnist Jon Margolis wrote just as shooting began. The resulting film, JFK, was a scandal well before it came anywhere near a theater. “I could write my own ticket, within reason.” The studio gave him $40 million to make a movie. Stone read Garrison’s book three times, bought the film rights, and took them to Warner Bros. ![]() He began an investigation and had soon traced the contours of a vast government conspiracy orchestrated by the CIA Oswald was the “patsy” he famously claimed to be. In 1963, Garrison had been district attorney of New Orleans, Oswald’s home in the months before the killing. “I had no problem with that.” On the Trail of the Assassins, written by the Louisiana appellate judge Jim Garrison, proposed something darker. “I believed that Lee Oswald shot the president,” he said. Yet he had never given much thought to the particulars of the assassination. Stone admired Kennedy with an almost spiritual intensity and viewed his death on Novem60 years ago this month - as a hard line in American history: the “before” hopeful and good the “after” catastrophic. In 1988, in an elevator at a film festival in Havana, the director Oliver Stone was handed a copy of On the Trail of the Assassins, a newly published account of the murder of President John F. ![]()
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